http://firzb.com firzb Wed, 06 Mar 2013 02:19:51 +0000 http://firzb.com en http://www.firzb.com/Despo-Goat-Cheese http://www.firzb.com/following/firzb.com/Despo-Goat-Cheese Wed, 06 Mar 2013 02:19:51 +0000 firzb 5120531 <img src="http://payload141.cargocollective.com/1/2/68820/5120531/10small_440.jpg" width="440" height="329" width_o="800" height_o="598" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/10small_o.jpg" data-mid="27495923" border="0" align="left"/> Despo is a Karlopoulos & associates project. The identity and product packaging for a producer of cheese from Kozani, Greece <img src="http://payload141.cargocollective.com/1/2/68820/5120531/Despw_440.jpg" width="440" height="690" width_o="600" height_o="941" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/Despw_o.jpg" data-mid="27495296" border="0" align="left"/> The Siabanopoulos family makes goat cheese since 1959, Despo (pictured) gave her name to the new packaging <img src="http://payload141.cargocollective.com/1/2/68820/5120531/despo006_440.jpg" width="440" height="320" width_o="800" height_o="581" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/despo006_o.jpg" data-mid="27495538" border="0" align="left"/> We agreed with the client that we needed a script logo and decided to use the photo of Despo in full bleed on the tin boxes. We also agreed that the overal design should be rather old fashioned <img src="http://payload141.cargocollective.com/1/2/68820/5120531/despo002_440.jpg" width="440" height="606" width_o="600" height_o="826" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/despo002_o.jpg" data-mid="27495588" border="0" align="left"/> We even used a (forgotten in our days) alternate Pi, but it looked rather awkward beside the Omega, plus we decided that the logo should be more typographic than calligraphic <img src="http://payload141.cargocollective.com/1/2/68820/5120531/despo004_440.jpg" width="440" height="589" width_o="600" height_o="803" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/despo004_o.jpg" data-mid="27495304" border="0" align="left"/><img src="http://payload141.cargocollective.com/1/2/68820/5120531/despo logo_440.jpg" width="440" height="241" width_o="800" height_o="438" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/despo logo_o.jpg" data-mid="27495701" border="0" align="left"/> This is the drawing that we used and the final logo. <img src="http://payload141.cargocollective.com/1/2/68820/5120531/galaktokomika_440.jpg" width="440" height="151" width_o="800" height_o="274" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/galaktokomika_o.jpg" data-mid="27495742" border="0" align="left"/><img src="http://payload141.cargocollective.com/1/2/68820/5120531/katsikisio tyri _440.jpg" width="440" height="97" width_o="800" height_o="177" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/katsikisio tyri _o.jpg" data-mid="27495745" border="0" align="left"/> And these are custom made letters, too. <img src="http://payload141.cargocollective.com/1/2/68820/5120531/Despo_BIG_TINBOX 2_440.jpg" width="440" height="351" width_o="600" height_o="478" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/Despo_BIG_TINBOX 2_o.jpg" data-mid="27495771" border="0" align="left"/><img src="http://payload141.cargocollective.com/1/2/68820/5120531/Despo_BIG_TINBOX_440.jpg" width="440" height="175" width_o="800" height_o="318" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/Despo_BIG_TINBOX_o.jpg" data-mid="27495774" border="0" align="left"/> We also used the typeface CF Daphne -a very common Greek geometric grotesque style- for the rest of the copy. The color combination, red and blue is also a reference to the Greek typographic preferences of the past <img src="http://payload141.cargocollective.com/1/2/68820/5120531/4small_440.jpg" width="440" height="329" width_o="800" height_o="598" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/4small_o.jpg" data-mid="27495912" border="0" align="left"/><img src="http://payload141.cargocollective.com/1/2/68820/5120531/5small_440.jpg" width="440" height="329" width_o="800" height_o="598" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/5small_o.jpg" data-mid="27495918" border="0" align="left"/> The 16 and 8 kg tin boxes are printed <img src="http://payload141.cargocollective.com/1/2/68820/5120531/1small_440.jpg" width="440" height="589" width_o="800" height_o="1071" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/1small_o.jpg" data-mid="27495976" border="0" align="left"/> packaged <img src="http://payload141.cargocollective.com/1/2/68820/5120531/8small_440.jpg" width="440" height="589" width_o="600" height_o="803" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/8small_o.jpg" data-mid="27495987" border="0" align="left"/> brought to the Siabanopoulos factory <img src="http://payload141.cargocollective.com/1/2/68820/5120531/9small_440.jpg" width="440" height="329" width_o="800" height_o="598" src_o="http://payload141.cargocollective.com/1/2/68820/5120531/9small_o.jpg" data-mid="27496004" border="0" align="left"/> and filled with pure goat cheese, which we can't wait to taste! Despo is a Karlopoulos & associates project. The identity and product packaging for a producer of cheese from Kozani, Greece The Siabanopoulos family makes goat... http://www.firzb.com/Smoking-kills http://www.firzb.com/following/firzb.com/Smoking-kills Sun, 09 Dec 2012 10:24:04 +0000 firzb 4579292 <img src="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-12.jpg" width="440" height="440" width_o="600" height_o="600" src_o="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-12_o.jpg" data-mid="24347463" border="0" align="left"/><img src="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-11.jpg" width="440" height="440" width_o="600" height_o="600" src_o="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-11_o.jpg" data-mid="24347464" border="0" align="left"/><img src="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-10.jpg" width="440" height="440" width_o="600" height_o="600" src_o="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-10_o.jpg" data-mid="24347466" border="0" align="left"/><img src="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-9.jpg" width="440" height="440" width_o="600" height_o="600" src_o="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-9_o.jpg" data-mid="24347468" border="0" align="left"/><img src="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-8.jpg" width="440" height="440" width_o="600" height_o="600" src_o="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-8_o.jpg" data-mid="24347471" border="0" align="left"/><img src="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-7.jpg" width="440" height="440" width_o="600" height_o="600" src_o="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-7_o.jpg" data-mid="24347473" border="0" align="left"/><img src="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-6.jpg" width="440" height="440" width_o="600" height_o="600" src_o="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-6_o.jpg" data-mid="24347474" border="0" align="left"/><img src="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-5.jpg" width="440" height="440" width_o="600" height_o="600" src_o="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-5_o.jpg" data-mid="24347476" border="0" align="left"/><img src="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-4.jpg" width="440" height="440" width_o="600" height_o="600" src_o="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-4_o.jpg" data-mid="24347480" border="0" align="left"/><img src="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-3.jpg" width="440" height="440" width_o="600" height_o="600" src_o="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-3_o.jpg" data-mid="24347481" border="0" align="left"/><img src="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-1.jpg" width="440" height="440" width_o="600" height_o="600" src_o="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-1_o.jpg" data-mid="24347483" border="0" align="left"/><img src="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-2.jpg" width="440" height="440" width_o="600" height_o="600" src_o="http://payload113.cargocollective.com/1/2/68820/4579292/SMOKING-KILLS-2_o.jpg" data-mid="24347501" border="0" align="left"/> Drawings on the back of Karelia Filter cigarette packs. Personal project Drawings on the back of Karelia Filter cigarette packs. Personal project http://www.firzb.com/Error-is-superior-to-art http://www.firzb.com/following/firzb.com/Error-is-superior-to-art Mon, 18 Jun 2012 15:16:00 +0000 firzb 3610737 <img src="http://payload65.cargocollective.com/1/2/68820/3610737/stamp.jpg" width="440" height="293" width_o="600" height_o="399" src_o="http://payload65.cargocollective.com/1/2/68820/3610737/stamp_o.jpg" data-mid="18699429" border="0" align="left"/> Original Modern Art Silkscreen Artwork This piece is one, original and unique cannot be reproduced and there isn't a similiar copy in the whole world. It's value is known to you the sole owner. <img src="http://payload65.cargocollective.com/1/2/68820/3610737/to-lathos-5.jpg" width="440" height="663" width_o="600" height_o="904" src_o="http://payload65.cargocollective.com/1/2/68820/3610737/to-lathos-5_o.jpg" data-mid="18699497" border="0" align="left"/><img src="http://payload65.cargocollective.com/1/2/68820/3610737/to-lathos-4.jpg" width="440" height="663" width_o="600" height_o="904" src_o="http://payload65.cargocollective.com/1/2/68820/3610737/to-lathos-4_o.jpg" data-mid="18699502" border="0" align="left"/><img src="http://payload65.cargocollective.com/1/2/68820/3610737/to-lathos-3.jpg" width="440" height="663" width_o="600" height_o="904" src_o="http://payload65.cargocollective.com/1/2/68820/3610737/to-lathos-3_o.jpg" data-mid="18699507" border="0" align="left"/><img src="http://payload65.cargocollective.com/1/2/68820/3610737/to-lathos-2.jpg" width="440" height="663" width_o="600" height_o="904" src_o="http://payload65.cargocollective.com/1/2/68820/3610737/to-lathos-2_o.jpg" data-mid="18699512" border="0" align="left"/><img src="http://payload65.cargocollective.com/1/2/68820/3610737/to-lathos-1.jpg" width="440" height="663" width_o="600" height_o="904" src_o="http://payload65.cargocollective.com/1/2/68820/3610737/to-lathos-1_o.jpg" data-mid="18699516" border="0" align="left"/> "Error is Superior to Art" is an ongoing print project that attempts to redirect the public's view and awareness to the value of printing errors and the magnificence intrinsic in them. version designed by firzb screen printed by tind <img src="http://payload65.cargocollective.com/1/2/68820/3610737/process-7.jpg" width="440" height="330" width_o="600" height_o="450" src_o="http://payload65.cargocollective.com/1/2/68820/3610737/process-7_o.jpg" data-mid="18699564" border="0" align="left"/><img src="http://payload65.cargocollective.com/1/2/68820/3610737/process-6.jpg" width="440" height="330" width_o="600" height_o="450" src_o="http://payload65.cargocollective.com/1/2/68820/3610737/process-6_o.jpg" data-mid="18699568" border="0" align="left"/><img src="http://payload65.cargocollective.com/1/2/68820/3610737/process-5.jpg" width="440" height="330" width_o="600" height_o="450" src_o="http://payload65.cargocollective.com/1/2/68820/3610737/process-5_o.jpg" data-mid="18699573" border="0" align="left"/><img src="http://payload65.cargocollective.com/1/2/68820/3610737/process-4.jpg" width="440" height="330" width_o="600" height_o="450" src_o="http://payload65.cargocollective.com/1/2/68820/3610737/process-4_o.jpg" data-mid="18699575" border="0" align="left"/><img src="http://payload65.cargocollective.com/1/2/68820/3610737/process-3.jpg" width="440" height="330" width_o="600" height_o="450" src_o="http://payload65.cargocollective.com/1/2/68820/3610737/process-3_o.jpg" data-mid="18699578" border="0" align="left"/><img src="http://payload65.cargocollective.com/1/2/68820/3610737/process-2.jpg" width="440" height="330" width_o="600" height_o="450" src_o="http://payload65.cargocollective.com/1/2/68820/3610737/process-2_o.jpg" data-mid="18699580" border="0" align="left"/><img src="http://payload65.cargocollective.com/1/2/68820/3610737/process-1.jpg" width="440" height="330" width_o="600" height_o="450" src_o="http://payload65.cargocollective.com/1/2/68820/3610737/process-1_o.jpg" data-mid="18699583" border="0" align="left"/> Pictures from the printing process here the best mistake you'll ever make Original Modern Art Silkscreen Artwork This piece is one, original and unique cannot be reproduced and there isn't a similiar copy in the whole world. It's... http://www.firzb.com/Monuments-Museums-of-Greece http://www.firzb.com/following/firzb.com/Monuments-Museums-of-Greece Thu, 08 Mar 2012 05:38:29 +0000 firzb 2940791 <img src="http://payload32.cargocollective.com/1/2/68820/2940791/speakers-platform.jpg" width="440" height="293" width_o="450" height_o="300" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/speakers-platform_o.jpg" data-mid="15082392" border="0" align="left"/> On December 2011 The Hellenic Ministry of Culture organized a design contest concerning the “united image and identity of the Monuments and Museums of Greece”. The brief required the design of a symbol and a system of logotypes for the unification of the image of all archeological sites, monuments, public and private museums of Greece, various applications of the logotype on printed matter, a complete set of pictograms and a system for interior and exterior signage of the sites. The project seemed monumental in size and context, and at the same time extremely interesting, but required the collaboration of many minds and hands, so Panayotis Haratzopoulos, Yiannis Karlopoulos and I, joint forces to participate. We had several conversations concerning the appropriate overall style and form of the identity, since it ought to fit in every single period of Greek architecture, design and art. We needed a passe-par-tout, a hybrid style that could fit with the archaic, the classical, the byzantine, the modern even the contemporary form. The typeface that we decided to use is the evolution of an experimental work of Claudio Piccinini, from 1996, and has not been commercially released. The archived designs were revisited and many of them were redesigned, in order to support all the historical references needed to fit the richness and diversity of Greek culture. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/our-goal.jpg" width="440" height="160" width_o="565" height_o="205" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/our-goal_o.jpg" data-mid="14997376" border="0" align="left"/> Panayotis developed a regular and a bold weight, plus small capitals and non lining figures. These are the caracter sets. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/typeface-regular_1.jpg" width="440" height="216" width_o="565" height_o="277" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/typeface-regular_1_o.jpg" data-mid="14997440" border="0" align="left"/><img src="http://payload32.cargocollective.com/1/2/68820/2940791/typeface-bold_2.jpg" width="440" height="216" width_o="565" height_o="277" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/typeface-bold_2_o.jpg" data-mid="14997438" border="0" align="left"/> These are a few examples of the greek letters and their relation to various period styles: I - ancient columns, Θ - archaic form, Μ - Roman inscriptions, Ω - Uncials, Ε - Byzantine scripts, Υ - Renaissance, Ο - geometric modern form. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/letters-reference_3.jpg" width="440" height="124" width_o="565" height_o="159" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/letters-reference_3_o.jpg" data-mid="14997513" border="0" align="left"/> When the typeface designs were finished, we were ready to start testing it with the various ideas for the symbol. We chose to use the form of the letter “M”, as the common signifier of monuments and museums, for it is the same in both the greek and latin alphabets. We experimented with the concept of merging the doric lines with the byzantine archs, the golden section, the evolution of the form of the letter “M” from upper to lower case and the idea of the symbol as placemark. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/symbols_4.jpg" width="440" height="119" width_o="565" height_o="153" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/symbols_4_o.jpg" data-mid="14997544" border="0" align="left"/> Considering the informative use of the work as the most important factor of the project, we decided that the placemark symbol was the most appropriate one. The “pin” shape could work as a mark that unifies visualy the sites, and besides it's welcoming simplicity, it could function well in contemporary digital culture, as it has a direct reference to the digital maps' placemark. We finally used the capital M of the typeface, slightly altered, and made some corrections on the proportions of the shapes. The final symbol has a classical quality and yet a modern spark. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/symbol_6.jpg" width="440" height="241" width_o="565" height_o="310" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/symbol_6_o.jpg" data-mid="14997657" border="0" align="left"/><img src="http://payload32.cargocollective.com/1/2/68820/2940791/logotypes_5.jpg" width="440" height="352" width_o="565" height_o="452" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/logotypes_5_o.jpg" data-mid="14997658" border="0" align="left"/> Containing in total not less than fifty characters, the bilingual logotype was a hard task to overcome. We split the text in three lines, and placed the symbol in the middle, dividing the text blocks. We added some tone and color with the use of small capitals for the articles, an ampersand and a “και” ligature deviated from an Athonite script. The rest of the variations are aligned flush left and, and on the two-lined logos the text block is aligned with the engraved “M” of the symbol. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/archaeological_1.jpg" width="440" height="58" width_o="565" height_o="75" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/archaeological_1_o.jpg" data-mid="14997707" border="0" align="left"/><img src="http://payload32.cargocollective.com/1/2/68820/2940791/benaki-logo_2.jpg" width="440" height="58" width_o="565" height_o="75" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/benaki-logo_2_o.jpg" data-mid="14997708" border="0" align="left"/> The use of the typeface as a graphic standard for the naming of the various sites and museums, and the pairing of the design with private museums logos, produces a cohesive identity system, that can be used in various applications like signage and promotional materials. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/road-signs_3.jpg" width="440" height="97" width_o="565" height_o="124" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/road-signs_3_o.jpg" data-mid="14997765" border="0" align="left"/> Concerning colour, earth brown, that is internationally used for the signage of archaeological sites, seemed to be the perfect match for our project. Following the collective unconscious knowledge of the brown colour as a sign of cultural heritage, we used it as the one and only colour. A rather reduced palette, based on the idea of simplicity that, nevertheless, helps constrain production costs. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/bilingual-logo_1.jpg" width="440" height="90" width_o="565" height_o="116" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/bilingual-logo_1_o.jpg" data-mid="14997868" border="0" align="left"/> A pattern, using the symbol on a light brown tind (the only exception in colour use), was designed for use as background for tickets. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/ticket-pattern_1.jpg" width="440" height="260" width_o="565" height_o="334" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/ticket-pattern_1_o.jpg" data-mid="14998015" border="0" align="left"/> For various applications, like museum shop packaging, wrapping paper, t-shirts, mugs, notebooks and other printed matter, we designed an inscription style letter pattern of the full bilingual logotype, and also used extreme crops of the logotype, to achieve a dense visual identity. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/inscription-pattern.jpg" width="371" height="431" width_o="371" height_o="431" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/inscription-pattern_o.jpg" data-mid="14976730" border="0" align="left"/> <img src="http://payload32.cargocollective.com/1/2/68820/2940791/t-shirt_3.jpg" width="440" height="271" width_o="565" height_o="348" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/t-shirt_3_o.jpg" data-mid="14998184" border="0" align="left"/><img src="http://payload32.cargocollective.com/1/2/68820/2940791/wrapping-paper_4.jpg" width="440" height="271" width_o="565" height_o="348" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/wrapping-paper_4_o.jpg" data-mid="14998185" border="0" align="left"/><img src="http://payload32.cargocollective.com/1/2/68820/2940791/toe-bag_2.jpg" width="440" height="271" width_o="565" height_o="348" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/toe-bag_2_o.jpg" data-mid="14998181" border="0" align="left"/> <img src="http://payload32.cargocollective.com/1/2/68820/2940791/isotype_17.jpg" width="440" height="85" width_o="642" height_o="124" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/isotype_17_o.jpg" data-mid="14979006" border="0" align="left"/> Otto Neurah's Isotype system, the abstract painting of Yannis Moralis and Otl Aicher's Olympic Games pictograms, are the reference and initiative force of our pictograms. Our goal being the pictograms' successful matching with the letterforms, we designed figures derived from the international standard forms, but at the same time, have a unique character and relate with the colour of the typeface. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/pictograms_18.jpg" width="440" height="158" width_o="642" height_o="230" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/pictograms_18_o.jpg" data-mid="14978751" border="0" align="left"/><img src="http://payload32.cargocollective.com/1/2/68820/2940791/pictograms-2.jpg" width="440" height="158" width_o="642" height_o="230" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/pictograms-2_o.jpg" data-mid="14978753" border="0" align="left"/><img src="http://payload32.cargocollective.com/1/2/68820/2940791/pictograms-3.jpg" width="440" height="158" width_o="642" height_o="230" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/pictograms-3_o.jpg" data-mid="14978752" border="0" align="left"/> <img src="http://payload32.cargocollective.com/1/2/68820/2940791/existing-signs_4.jpg" width="440" height="178" width_o="565" height_o="229" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/existing-signs_4_o.jpg" data-mid="14998221" border="0" align="left"/> We conducted a research on the graphics and signage systems that are curently applied on greek monuments and museums, only to find out that graphic anarchy rules the field. An almost endless variation of materials, sizes, colours, typefaces and logos is utilisized randomly – the examples pictured need no more comments. We believe that the design of a rational design system, in a way that could be comprehended even by the most elementary educated signmaker was necessary. With the use of our unique typeface, the single colour, specific sign and type sizes and grids, this could be achieved. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/modulex-templates_4.jpg" width="440" height="147" width_o="565" height_o="189" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/modulex-templates_4_o.jpg" data-mid="14998271" border="0" align="left"/> For the production of the signs, we decided to choose from a wide range of products designed and constructed by the company Modulex. Founded in 1963 by the Lego group, Modulex is a leader in signage and wayfinding systems. The exterior sign systems are characterized by high durability and a superior paint quality. The modular system makes it easy to put together individual solutions and make changes. The rugged aluminium and galvanised steel design make the system the perfect choice for outdoor areas that are accessible to the public. The interior signs are based on a simple and light design where the panel has only been secured at the bottom. This creates maximum freedom for panel shapes and material. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/distant-sign.jpg" width="440" height="295" width_o="642" height_o="431" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/distant-sign_o.jpg" data-mid="14978080" border="0" align="left"/> We designed models for directional road signs, and a monolith that functions as a placemark on the location of the sites. Throughout the signage system, the regular weight of the typeface is used for the second language. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/entrance-sign.jpg" width="440" height="295" width_o="642" height_o="431" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/entrance-sign_o.jpg" data-mid="14978113" border="0" align="left"/> For the entrance signs, where a large amount of information must fit, we use an easily adaptable modular system, either on double posts or mounted on walls or fences. The central axis that is being used, gives the design a formal look and the variation of sizes and weights of the type provide the necessary colour and an overall vivid look. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/interior-signs.jpg" width="440" height="295" width_o="642" height_o="431" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/interior-signs_o.jpg" data-mid="14978141" border="0" align="left"/> On the signage system for the interior spaces of the museums, the colours are inverted. The information is printed brown on a white backgroung, thus we have a more sublte look and feel, that can be integrated easily in any museum's interior environment. <img src="http://payload32.cargocollective.com/1/2/68820/2940791/exterior-signs.jpg" width="440" height="295" width_o="642" height_o="431" src_o="http://payload32.cargocollective.com/1/2/68820/2940791/exterior-signs_o.jpg" data-mid="14978177" border="0" align="left"/> Finally, we designed a series of exterior informative and directional signs that can be used in archaeological sites. Either projected on posts, or mounted on walls and fences, these subtle designs don't interfere with the site environment but still, can help and direct the visitor. During our research on what is going on in the rest of the world, I made a list of my favorite projects. Here it is: - Philipe Apeilog's logo for the Museums of France - Gerard Unger's typeface for Rome - Experimental Jetset's work for 104, a French cultural institute - Pentagram's identity and signage system for New York City Parks On December 2011 The Hellenic Ministry of Culture organized a design contest concerning the “united image and identity of the Monuments and Museums of... http://www.firzb.com/Modern-Greek-literature http://www.firzb.com/following/firzb.com/Modern-Greek-literature Tue, 31 Jan 2012 09:00:40 +0000 firzb 2713282 <img src="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-JACKET-6.jpg" width="400" height="600" width_o="400" height_o="600" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-JACKET-6_o.jpg" data-mid="13788615" border="0" align="left"/><img src="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-JACKET-5.jpg" width="400" height="600" width_o="400" height_o="600" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-JACKET-5_o.jpg" data-mid="13788617" border="0" align="left"/><img src="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-JACKET-4.jpg" width="400" height="600" width_o="400" height_o="600" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-JACKET-4_o.jpg" data-mid="13788618" border="0" align="left"/><img src="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-JACKET-3.jpg" width="400" height="600" width_o="400" height_o="600" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-JACKET-3_o.jpg" data-mid="13788619" border="0" align="left"/><img src="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-JACKET-2.jpg" width="400" height="600" width_o="400" height_o="600" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-JACKET-2_o.jpg" data-mid="13788620" border="0" align="left"/><img src="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-JACKET-1.jpg" width="400" height="600" width_o="400" height_o="600" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-JACKET-1_o.jpg" data-mid="13788622" border="0" align="left"/> The great Greek writers of the 20th century. Series of 22 books. For the jackets, we designed custom type on top of contemporary Greek artists' works. Designed with John Karlopoulos. Art editor: N. Mastropavlos. Published by Lambrakis Press. <img src="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-COVER-5.jpg" width="400" height="600" width_o="400" height_o="600" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-COVER-5_o.jpg" data-mid="13788644" border="0" align="left"/><img src="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-COVER-4.jpg" width="400" height="600" width_o="400" height_o="600" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-COVER-4_o.jpg" data-mid="13788646" border="0" align="left"/><img src="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-COVER-3.jpg" width="400" height="600" width_o="400" height_o="600" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-COVER-3_o.jpg" data-mid="13788647" border="0" align="left"/><img src="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-COVER-2.jpg" width="400" height="600" width_o="400" height_o="600" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-COVER-2_o.jpg" data-mid="13788648" border="0" align="left"/><img src="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-COVER-1.jpg" width="400" height="600" width_o="400" height_o="600" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/M-G-L-COVER-1_o.jpg" data-mid="13788649" border="0" align="left"/> In contrast to the jackets, the covers, as well as the bodies of the books, were designed in a traditional manner. <img src="http://payload20.cargocollective.com/1/2/68820/2713282/body-1.jpg" width="440" height="318" width_o="800" height_o="578" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/body-1_o.jpg" data-mid="13755665" border="0" align="left"/><img src="http://payload20.cargocollective.com/1/2/68820/2713282/body-2.jpg" width="440" height="318" width_o="800" height_o="578" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/body-2_o.jpg" data-mid="13755663" border="0" align="left"/><img src="http://payload20.cargocollective.com/1/2/68820/2713282/body-3.jpg" width="440" height="318" width_o="800" height_o="578" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/body-3_o.jpg" data-mid="13755660" border="0" align="left"/><img src="http://payload20.cargocollective.com/1/2/68820/2713282/body-4.jpg" width="440" height="318" width_o="800" height_o="578" src_o="http://payload20.cargocollective.com/1/2/68820/2713282/body-4_o.jpg" data-mid="13755658" border="0" align="left"/> The great Greek writers of the 20th century. Series of 22 books. For the jackets, we designed custom type on top of contemporary Greek artists' works. Designed... http://www.firzb.com/Orthodox-monk-s-cook-book http://www.firzb.com/following/firzb.com/Orthodox-monk-s-cook-book Wed, 12 Oct 2011 03:22:57 +0000 firzb 2137354 <img src="http://payload.cargocollective.com/1/2/68820/2137354/MONK_COVER.jpg" width="440" height="636" width_o="451" height_o="652" src_o="http://payload.cargocollective.com/1/2/68820/2137354/MONK_COVER_o.jpg" data-mid="10659080" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/2137354/MONK_01.jpg" width="440" height="359" width_o="800" height_o="652" src_o="http://payload.cargocollective.com/1/2/68820/2137354/MONK_01_o.jpg" data-mid="10659084" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/2137354/MONK_02.jpg" width="440" height="359" width_o="800" height_o="652" src_o="http://payload.cargocollective.com/1/2/68820/2137354/MONK_02_o.jpg" data-mid="10659085" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/2137354/MONK_03.jpg" width="440" height="359" width_o="800" height_o="652" src_o="http://payload.cargocollective.com/1/2/68820/2137354/MONK_03_o.jpg" data-mid="10659086" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/2137354/MONK_04.jpg" width="440" height="359" width_o="800" height_o="652" src_o="http://payload.cargocollective.com/1/2/68820/2137354/MONK_04_o.jpg" data-mid="10659088" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/2137354/MONK_05.jpg" width="440" height="359" width_o="800" height_o="652" src_o="http://payload.cargocollective.com/1/2/68820/2137354/MONK_05_o.jpg" data-mid="10659090" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/2137354/MONK_06.jpg" width="440" height="359" width_o="800" height_o="652" src_o="http://payload.cargocollective.com/1/2/68820/2137354/MONK_06_o.jpg" data-mid="10659092" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/2137354/MONK_07.jpg" width="440" height="359" width_o="800" height_o="652" src_o="http://payload.cargocollective.com/1/2/68820/2137354/MONK_07_o.jpg" data-mid="10659093" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/2137354/MONK_08.jpg" width="440" height="359" width_o="800" height_o="652" src_o="http://payload.cargocollective.com/1/2/68820/2137354/MONK_08_o.jpg" data-mid="10659094" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/2137354/MONK_09.jpg" width="440" height="359" width_o="800" height_o="652" src_o="http://payload.cargocollective.com/1/2/68820/2137354/MONK_09_o.jpg" data-mid="10659097" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/2137354/MONK_BACK_COVER.jpg" width="440" height="613" width_o="468" height_o="652" src_o="http://payload.cargocollective.com/1/2/68820/2137354/MONK_BACK_COVER_o.jpg" data-mid="10659099" border="0" align="left"/> Monk cookin, a collection of traditional recipes from the Orthodox Monasteries. Published by Lambrakis Press Monk cookin, a collection of traditional recipes from the Orthodox Monasteries. Published by Lambrakis Press http://www.firzb.com/India-ink-portraiture http://www.firzb.com/following/firzb.com/India-ink-portraiture Fri, 07 Oct 2011 15:04:06 +0000 firzb 1787885 <img src="http://payload.cargocollective.com/1/2/68820/1787885/AGELAKAS.jpg" width="440" height="506" width_o="1865" height_o="2143" src_o="http://payload.cargocollective.com/1/2/68820/1787885/AGELAKAS_o.jpg" data-mid="8810868" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1787885/IOANNIDIS.jpg" width="440" height="550" width_o="1641" height_o="2050" src_o="http://payload.cargocollective.com/1/2/68820/1787885/IOANNIDIS_o.jpg" data-mid="8810870" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1787885/KATSIMIXAS.jpg" width="440" height="467" width_o="1843" height_o="1958" src_o="http://payload.cargocollective.com/1/2/68820/1787885/KATSIMIXAS_o.jpg" data-mid="8810877" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1787885/KRAOUNAKIS.jpg" width="440" height="455" width_o="2048" height_o="2116" src_o="http://payload.cargocollective.com/1/2/68820/1787885/KRAOUNAKIS_o.jpg" data-mid="8810881" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1787885/MALAMAS.jpg" width="440" height="597" width_o="1592" height_o="2159" src_o="http://payload.cargocollective.com/1/2/68820/1787885/MALAMAS_o.jpg" data-mid="8810886" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1787885/MIKROUTSIKOS.jpg" width="440" height="559" width_o="1592" height_o="2023" src_o="http://payload.cargocollective.com/1/2/68820/1787885/MIKROUTSIKOS_o.jpg" data-mid="8810893" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1787885/PORTOKALOGLOU.jpg" width="440" height="506" width_o="1865" height_o="2143" src_o="http://payload.cargocollective.com/1/2/68820/1787885/PORTOKALOGLOU_o.jpg" data-mid="8810906" border="0" align="left"/> India ink portraiture, drawn for vol. No 20 of Ta Rebetika series, published by Lambrakis Press India ink portraiture, drawn for vol. No 20 of Ta Rebetika series, published by Lambrakis Press http://www.firzb.com/Aris-Velouchiotis-head http://www.firzb.com/following/firzb.com/Aris-Velouchiotis-head Tue, 13 Sep 2011 15:51:56 +0000 firzb 1999151 <img src="http://payload.cargocollective.com/1/2/68820/1999151/aris 1.jpg" width="440" height="600" width_o="440" height_o="600" src_o="http://payload.cargocollective.com/1/2/68820/1999151/aris 1_o.jpg" data-mid="27631492" border="0" align="left"/> Aris Velouchiotis' head was originally designed for the cover of a book that was never actually published, a biography of the famous Greek partizan, by his brother Babis Klaras. <img src="http://payload.cargocollective.com/1/2/68820/1999151/aris 2.jpg" width="440" height="461" width_o="440" height_o="461" src_o="http://payload.cargocollective.com/1/2/68820/1999151/aris 2_o.jpg" data-mid="27631487" border="0" align="left"/> On our search for a way to illustrate iconic personalities of modern Greek History, Yannis Karlopoulos and I, decided to work on a study of the layering of colour in the byzantine icons, through a modular grid. <img src="http://payload.cargocollective.com/1/2/68820/1999151/androutsos.jpg" width="302" height="442" width_o="302" height_o="442" src_o="http://payload.cargocollective.com/1/2/68820/1999151/androutsos_o.jpg" data-mid="15041143" border="0" align="left"/> We had already made an experiment with Odysseas Androutsos for another project and were quite satisfied with the result. <img src="http://payload.cargocollective.com/1/2/68820/1999151/ARIS-STICKER.jpg" width="424" height="600" width_o="424" height_o="600" src_o="http://payload.cargocollective.com/1/2/68820/1999151/ARIS-STICKER_o.jpg" data-mid="15046375" border="0" align="left"/> Later, Yannis developed a single color stylization for the exhibition "Logotherapy", cutated by Alexandros Psychoulis and Yannis Arvanitis. Aris Velouchiotis' head was originally designed for the cover of a book that was never actually published, a biography of the famous Greek partizan, by his brother... http://www.firzb.com/Keep-calm-and-print-on http://www.firzb.com/following/firzb.com/Keep-calm-and-print-on Wed, 01 Jun 2011 02:52:24 +0000 firzb 1528501 <img src="http://payload.cargocollective.com/1/2/68820/1528501/11_m001.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_m001_o.jpg" data-mid="7472309" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_m003.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_m003_o.jpg" data-mid="7472311" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_m004.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_m004_o.jpg" data-mid="7472313" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_m006.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_m006_o.jpg" data-mid="7472314" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_m011.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_m011_o.jpg" data-mid="7472316" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_m013.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_m013_o.jpg" data-mid="7472318" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_m017.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_m017_o.jpg" data-mid="7472319" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_m020.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_m020_o.jpg" data-mid="7472320" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_m021.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_m021_o.jpg" data-mid="7472321" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_m023.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_m023_o.jpg" data-mid="7472322" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_m025.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_m025_o.jpg" data-mid="7472325" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_m026.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_m026_o.jpg" data-mid="7472327" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_m028.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_m028_o.jpg" data-mid="7472329" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_m065.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_m065_o.jpg" data-mid="7472330" border="0" align="left"/> M, Π and Q initials designed for Κeep Calm and Print On silkscreen and typography workshop. Amazing prints by Tind. Under the patronage of Greek Graphic Design Association <img src="http://payload.cargocollective.com/1/2/68820/1528501/11_pi003.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_pi003_o.jpg" data-mid="7472335" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_pi004.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_pi004_o.jpg" data-mid="7472336" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_pi007.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_pi007_o.jpg" data-mid="7472338" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_pi010.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_pi010_o.jpg" data-mid="7472339" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_pi011.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_pi011_o.jpg" data-mid="7472340" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_pi013.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_pi013_o.jpg" data-mid="7472341" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_pi014.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_pi014_o.jpg" data-mid="7472342" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_pi015.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_pi015_o.jpg" data-mid="7472344" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_pi019.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_pi019_o.jpg" data-mid="7472346" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_pi021.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_pi021_o.jpg" data-mid="7472349" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_pi024.jpg" width="440" height="664" width_o="800" height_o="1207" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_pi024_o.jpg" data-mid="7472350" border="0" align="left"/> <img src="http://payload.cargocollective.com/1/2/68820/1528501/11_q001.jpg" width="440" height="661" width_o="800" height_o="1202" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_q001_o.jpg" data-mid="7472354" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_q002.jpg" width="440" height="661" width_o="800" height_o="1202" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_q002_o.jpg" data-mid="7472357" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_q004.jpg" width="440" height="661" width_o="800" height_o="1202" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_q004_o.jpg" data-mid="7472358" border="0" align="left"/>π<img src="http://payload.cargocollective.com/1/2/68820/1528501/11_q005.jpg" width="440" height="661" width_o="800" height_o="1202" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_q005_o.jpg" data-mid="7472360" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_q006.jpg" width="440" height="661" width_o="800" height_o="1202" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_q006_o.jpg" data-mid="7472364" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_q007.jpg" width="440" height="661" width_o="800" height_o="1202" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_q007_o.jpg" data-mid="7472368" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_q010.jpg" width="440" height="661" width_o="800" height_o="1202" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_q010_o.jpg" data-mid="7472369" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_q011.jpg" width="440" height="661" width_o="800" height_o="1202" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_q011_o.jpg" data-mid="7472372" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_q012.jpg" width="440" height="661" width_o="800" height_o="1202" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_q012_o.jpg" data-mid="7472374" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_q014.jpg" width="440" height="661" width_o="800" height_o="1202" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_q014_o.jpg" data-mid="7472378" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_q015.jpg" width="440" height="661" width_o="800" height_o="1202" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_q015_o.jpg" data-mid="7472381" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1528501/11_q018.jpg" width="440" height="661" width_o="800" height_o="1202" src_o="http://payload.cargocollective.com/1/2/68820/1528501/11_q018_o.jpg" data-mid="7472384" border="0" align="left"/> M, Π and Q initials designed for Κeep Calm and Print On silkscreen and typography workshop. Amazing prints by Tind. Under the patronage of Greek Graphic Design... http://www.firzb.com/Greek-Civil-War-documents http://www.firzb.com/following/firzb.com/Greek-Civil-War-documents Mon, 21 Mar 2011 16:04:57 +0000 firzb 1199884 <img src="http://payload.cargocollective.com/1/2/68820/1199884/CIVIL-WAR-1.jpg" width="440" height="690" width_o="510" height_o="800" src_o="http://payload.cargocollective.com/1/2/68820/1199884/CIVIL-WAR-1_o.jpg" data-mid="5787886" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1199884/CIVIL-WAR-2.jpg" width="440" height="690" width_o="510" height_o="800" src_o="http://payload.cargocollective.com/1/2/68820/1199884/CIVIL-WAR-2_o.jpg" data-mid="5787888" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1199884/CIVIL-WAR-3.jpg" width="440" height="690" width_o="510" height_o="800" src_o="http://payload.cargocollective.com/1/2/68820/1199884/CIVIL-WAR-3_o.jpg" data-mid="5787892" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1199884/CIVIL-WAR-4.jpg" width="440" height="690" width_o="510" height_o="800" src_o="http://payload.cargocollective.com/1/2/68820/1199884/CIVIL-WAR-4_o.jpg" data-mid="5787894" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1199884/CIVIL-WAR-5.jpg" width="440" height="690" width_o="510" height_o="800" src_o="http://payload.cargocollective.com/1/2/68820/1199884/CIVIL-WAR-5_o.jpg" data-mid="5787897" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1199884/CIVIL-WAR-6.jpg" width="440" height="690" width_o="510" height_o="800" src_o="http://payload.cargocollective.com/1/2/68820/1199884/CIVIL-WAR-6_o.jpg" data-mid="5787900" border="0" align="left"/><img src="http://payload.cargocollective.com/1/2/68820/1199884/CIVIL-WAR-7.jpg" width="440" height="690" width_o="510" height_o="800" src_o="http://payload.cargocollective.com/1/2/68820/1199884/CIVIL-WAR-7_o.jpg" data-mid="5787901" border="0" align="left"/> Documents from the Greek Civil War covers, faux stencils done in Photoshop. Published by Lambrakis Press Documents from the Greek Civil War covers, faux stencils done in Photoshop. Published by Lambrakis Press